Open to Interpretation
Artists of MarinMOCA Exhibition

January 5, 2019 - February 24, 2019
Reception: January 5, 4:30 - 7:00pm

A work of art has the power to evoke a memory or story which is different for each viewer depending on their background and life experience. In “Open to Interpretation,” the artists of MarinMOCA have created works with layers of meaning, intent on starting a dialog between artist and viewer. With over 75 exhibiting artists, the show gives visitors the opportunity to study works that span many genres from figurative to visionary, from conceptual to landscape.

Download the list award winners here

Image credits:
"Ascension" by Debra Maddox
"Succulence" by Linda Larsen

Viola Frey: Her Self

March 2, 2019 - April 21, 2019
Reception: March 2, 4:00 - 7:00pm

2019 marks the 15th anniversary of Viola Frey’s passing, so it’s the perfect time to mount an exhibition honoring her stature in the Bay Area art community and beyond. She is best known for her monumental sculptures, but "Viola Frey: Her Self" will present viewers with a more intimate, down-to-earth point of view. The exhibit will focus on Frey’s self-portraits in multiple mediums, from drawings to oil paintings to ceramics, and includes work that spans over four decades of her career. The artwork on display has personal significance to the artist, and even when life-sized (Ms. Frey was less than 5 feet tall), visitors will be able to look her in the eye.

Visitors will see works created with rich symbolism and iconography, including her work gloves, boots and flea market finds. Says Frey scholar Anita Ellis “It is a rare monographic exhibition that places the emphasis on the artist rather than the artwork. In "Viola Frey: Her Self," that is exactly what is being done. The viewer is asked not simply to examine the art of Viola Frey, but more pointedly to explore Viola Frey exploring her self."

The solo exhibition at MarinMOCA has been curated in conjunction with the Artists’ Legacy Foundation in Oakland, CA, and will be enhanced by loans from private collections. The public is invited to the Art Talk on Saturday, March 2, 4:00pm. Join Artists’ Legacy Foundation Co-Directors Cynthia de Bos and Julia Schwartz as they discuss Frey’s early artistic beginnings, influences in her practice, and bodies of work that inform Viola Frey: Her Self. The Opening Reception follows from 5:00 - 7:00pm. An exhibition catalog featuring an essay by Frey scholar Anita Ellis will be available for purchase.

Docent Tours: Wednesdays at 11:00am and Saturdays at 2:00pm, beginning on March 6.
Admission: $10 for adults, $8 for seniors 70+ and students 13-25.
Free for members and children under 13.

Viola Frey (1933—2004)
Over the course of her five-decade career, Viola Frey created boldly-colored figurative sculptures, paintings and works on paper that reflect on contemporary culture, power, and gender dynamics. While most closely aligned with the Bay Area Funk movement, Frey’s immense creative output delves into many aesthetic directions. She used a distinctive, personal iconography and palette to depict human figures arrayed among objects of antiquity, flea market collectibles, and interior landscapes.

Frey was born in 1933 in Lodi, California. In 1951, she moved to Oakland and attended the California College of Arts and Crafts (CCAC) and completed her BFA in 1955. She pursued an MFA in Painting at Tulane University, and studied under George Rickey, Katherine Choy, and visiting artist Mark Rothko. Frey taught at CCAC from 1964 to 1999. During her tenure, she served as the Ceramics Department chair and continuously championed the ceramic medium as an art form.

Among her many accomplishments, Frey was the recipient of two National Endowment for the Arts fellowships, a Masters of the Medium for Ceramics from the James Renwick Alliance, and an honorary Doctorate from CCAC.

Image: Viola Frey, Double Self, 1978, ceramic and glazes, 64 x 20 x 18 1/2 inches (162.56 x 50.8 x 46.99 cm), ALF no. VF-0291CSS. 2019 © Artists’ Legacy Foundation / Licensed by ARS, New York. Photograph by Michael Tropea.